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Nobody move a muscle as we go through the Jurassic Park movies ranked, worst to best.
Gather round dinosaur fans as we run down our guide to the Jurassic Park movies, ranked worst to best — we spared no expense.
After this last summer’s Jurassic World: Dominion chomped on $1 billion worldwide (opens in new tab), the dinosaurs aren’t becoming extinct again, but rather going into hibernation for a while (opens in new tab). The Jurassic Park franchise now has six theatrical installments (they do move in herds), one short first released on TV, and a five-season animated series. Here’s our list of the Jurassic Park movies ranked, worst to best.
The franchise’s chronology is very straightforward: each film is a direct sequel of the last one, though we can argue that 2015’s Jurassic World kind of ignores Jurassic Park III (2001). When it comes to the short Battle at Big Rock, it happens between the last two Jurassic World movies.
Maybe the animated show Jurassic World: Camp Cretaceous is the trickiest entry to approach, as it started airing well before Jurassic World: Dominion hit theatres, and released its last season a month after the movie’s arrival – it also happens at the same time as the first two Jurassic World installments and includes some major Dominion nods during its final stretch. Our recommendation is to watch it last of all.
If you need some help to quickly stream, rent, or buy the best dinosaur movies around, then check out our Jurassic Park streaming guide to find the best way to watch the entire saga online. And if you want to learn more about our prehistoric friends then our history of dinosaurs article has you covered too.
Otherwise, read on below to find out where each installment falls in our ranked list. Hold on to your butts!
Indeed, the reception to Jurassic Park III was so cold that it effectively iced a highly profitable movie franchise for more than a decade before serious plans for a fourquel were set in motion. That Pteranodon sequence is an all-timer though.
It never quite delivers on the promise of dinosaurs co-existing with humans, and the thrills are too scattered throughout its lengthy runtime. After the excitement and wonder of the entire visit to Malta, Jurassic World Dominion goes through the motions and puts an end to 29 years of Jurassic adventures with a whimper instead of a roar. We really appreciate how Trevorrow gave Laura Dern’s Ellie Sattler tons to do though.
If the series had ended with the excellent season 3 finale, it’d be much higher on our list. Sadly, it overstayed its welcome with a dreadfully boring and un-Jurassic fourth chapter that was salvaged by the fifth and final season. The show never quite recovers from that sharp falloff, but delivers a satisfying and emotional ending nonetheless.
Much of the character work and plotting certainly needed a second pass before cameras rolled, and Chris Pratt really is a bland one-note action man, but this one put the saga on the right track again and squarely delivered on the promise of a fully functional Jurassic Park. Some of the dinosaur science was a bit iffy too.
The Battle at Big Rock short (opens in new tab) – released afterwards online – was met with thumbs up from Jurassic fans and casual viewers alike as it promised an entirely new kind of adventure for the third Jurassic World movie. Colin Trevorrow’s directing, backed by famous cinematographer Larry Fong, also felt sharper here than in his 2015 movie, giving this short camping trip a scarier mood that is closer to J.A. Bayona’s work on Fallen Kingdom.
Perhaps the most interesting thing about The Lost World is how much of a darker movie (visually and tonally) it is when compared to Jurassic Park. While Spielberg deviated in big ways from the source material (which he pushed novelist Michael Crichton to write in the first place), the first Jurassic sequel retains much of the book’s wickedness. Also, that King Kong-ish fourth act in San Diego remains one of the most unexpected finales ever.
For starters, the prologue is easily the series’ scariest and most fun. Then, we have an atypical structure that presents the destruction of Isla Nublar in the first half and later takes the action to the mainland (but inside a gothic manor!) in the second part. Poor characterizations and plotting issues abound, but everything else kicks ass. Furthermore, Bayona and cinematographer Óscar Faura’s work is consistently gorgeous and was enhanced by one of Michael Giacchino’s most distinct soundtracks in years.
Mostly sticking to Michael Crichton’s text, the David Koepp-signed script smartly balanced out smart science talk, sci-fi elements, and a purely Spielbergian sense of adventure (and horror). Moreover, it’s one of the most quotable movies of all time with a smashing soundtrack. What more can we ask for?
Fran Ruiz is an entertainment freelancer and massive dinosaur nerd. He has a BA of English Studies, focusing on English Literature, from the University of Malaga, in Spain, as well as a Master’s Degree in English Studies, Multilingual and Intercultural Communication. On top of writing features and other longform articles for Live Science & Space.com since 2021, he is a frequent collaborator of VG247 and other gaming sites. He also serves as associate editor over at Star Wars News Net and its sister site, Movie News Net.
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